JACK INGRAM "HEY YOU" 1999 LUCKY DOG RARE NM/UNPLAYED ADVANCE HDCD

Description: THIS CD COMES FROM MY TIME AT A NATIONAL RADIO NETWORK WHERE I WAS THE MUSIC AND PROMOTIONS DIRECTOR FOR NEARLY 20 YEARS. A RECENT FIND FROM A BOX IN MY STORAGE UNIT.THIS IS A PHOTO OF THE ACTUAL ITEM FOR SALE, SORRY IF THE PICTURE(S) ARE A BIT BLURRY. I HAVE OTHER ITEMS FOR SALE, CHECK OUT MY OTHER AUCTIONS, THANKS! AS I MENTIONED ABOVE FOR NEARLY 20 YEARS I WAS THE MUSIC & PROMOTIONS CORDINATOR FOR A MAJOR NATIONAL RADIO NETWORK.... ALL CD'S COME IN A JEWEL CASE UNLESS STATED OTHERWISE. NOTE: eBay HAS TAKEN IT UPON THEMSELVES TO REMOVE WHAT THEY CALL “OUTSIDE” LINKS, THESE ARE IN THE HTML DESCRIPTION, AND CAN'T EVEN BE SEEN IN MY ITEM DESCRIPTION, SO FROM NOW ON IF YOU WANT TO KNOW MORE ABOUT THE ITEM &/OR ARTIST LOOK 'EM UP, ON WIKI & DISCOGS, ETC. NOTE: I DO COMBINE SHIPPING. RECENTLY DUG THROUGH SOME OF THE BOXES IN MY STORAGE UNIT AND FOUND THESE CD's ... NOTE I DO COMBINE SHIPPING THANKS FOR LOOKING! BOB ARTIST: JACK INGRAM TITLE: “HEY YOU” (ADVANCE PROMO) TRACK LISTING (SEE PHOTO/BELOW): 1 Biloxi 4:08 2 Feel Like I'm Falling In Love 3:06 3 Talk About 3:29 4 How Many Days 3:22 5 Work This Out 3:56 6 I Would 3:32 7 Barbie Doll 4:51 8 Hey You 3:25 9 Anymore Good Loving 3:20 10 Inna From Mexico 5:36 11 Mustang Burn 3:49 12 Juanita 3:19 LABLE: LUCKY DOG/SONY RECORDS NASHVILLE CAT.#: ACK 69850 YEAR: 1999 CONDITION: THIS IS OPENED BUT UNPLAYED IN MINT-/NM CONDITION. COMES IN A CARDSLEEVE STILL IN IT'S SHRINK WRAP IN NM/NM- COND. PRINTED ON THE CD ARTWORK AND BACK INSERT IS “PROMOTIONAL ONLY-NOT FOR SALE”. MORE INFO: THIS IS CURRENTLY OUT OF PRINT. FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK. NOT SOLD TO THE GENERAL PUBLIC. PERSONAL NOTE GOT TO HANG WITH JACK ON A FEW OCCASIONS AND SEE HIM PERFORM, HERE IN L.A. AS WELL AS NASHVILLE, THIS PHOTO TAKEN BACKSTAGE AT THE STAGECOACH FESTIVAL, IT IS NOT A PART OF THIS LOT, BUT I WOULD BE HAPPY TO PM IT TO THE WINNER/BUYER OF THE CD ON REQUEST. ARTIST INFO: JACK INGRAM BIO/INFO- The late, great Guy Clark didn’t invite just anyone to coffee in his Nashville basement workshop. But if you were lucky enough to get the call, as did disciples like Lyle Lovett, Steve Earle, and Robert Earl Keen, you quickly learned the drill: Clark would ask you to play a song. If he didn’t like it, he’d say, “Play another one. What else you got?” Jack Ingram, who dropped in on the Monahans native a few times a year, always had to play a second song. That was fine by him; earning a private audience with one of his idols was enough. But two years ago, Ingram played Clark something he’d been working on, a tune called “All Over Again.” Maybe Clark, who battled lymphoma, diabetes, and heart disease in his waning years, related to the line “It’s funny how dying is just living, we all do it one day at a time.” Or maybe he simply admired the universality of a song about fading without regrets, about how so many of us would happily make the same mistakes, live through the same pain, all over again. “When I finished, he just looked at me and said, ‘Good work,’ ” says Ingram. “That’s what Guy said when he dug a song. Those are the words every songwriter I know lives for, would kill for. It was one of those times I was grateful for how hard I’ve been on myself. It was validation.” Another instance of validation came in May, when Ingram played the song at Clark’s private wake, which took place at the Santa Fe home of his old friend Terry Allen. A guitar was passed around, and Lovett, Earle, Keen, Vince Gill, Joe Ely, Rodney Crowell, Emmylou Harris, and a few others played the tunes they’d written that Clark liked best. Ingram was buoyed by the fact that in a room full of his heroes he could pull out a song that had earned a gold star from their hero. This was especially true because he knew that some people—perhaps turned off by his vapid top-ten country hits “Wherever You Are” and “Barefoot and Crazy”—had never thought he belonged in that august company. “I’m hyperaware that there are people quick to dismiss me as a country frat rocker, mainstream ass shaker, or wannabe Guy Clark,” Ingram says. “I’ve been all three. But nobody can say I didn’t put in my ten thousand hours, that I didn’t do the work. You can’t just pick up the guitar and try to do what I do. At twenty, that’s impossible. And at forty-five, you can’t take it away from me.”That lightning-fast switch from self-doubt to braggadocio is classic Ingram. During every stage of his career, he’s shown the swagger of a prizefighter, the naked ambition of a tech entrepreneur. But press him on why he slips into big talk so often, and he admits that all the fightin’ words are a tool he uses to psych himself up for battle. “If you think I sound like an egomaniac, I’m good with that,” he says. “Because the worst thing you could ever say is that I could’ve been a contender but was too afraid to say I wanted it. That’s the thing that wakes me up at night. What if I got scared that people might think I’m delusional and I stopped pushing? What if I got embarrassed or got cold feet? I’d have nothing.” Over the years, the intense pressure Ingram has put on himself has manifested in an equally manic work ethic. For much of his career, he logged upward of two hundred dates a year. In the same week he’ll headline a dance hall, play a big-dollar corporate gig, and then fly out for a weekend filled with festival sets. And despite all the smack talk, he’s built a reputation as one of country music’s most approachable stars; after each show, he’ll stay at the merchandise booth for hours signing autographs and chatting up fans. Radio programmers have a soft spot for him too: they respect how hard he’s worked at cracking their playlists and how in a heartbeat he’ll get on a plane and play their charity events. Ingram has seen his determination pay off in other ways. Willie is a friend and an admirer. Kristofferson too. And in Nashville, he’s built alliances with a new generation of songwriters, like Dierks Bentley, Miranda Lambert, Eric Church, and Kacey Musgraves. The through line of most of his career has been a sense that there’s a war going on for the soul of country music and that he’s one of its righteous soldiers. Anyone who’s been to a Jack Ingram gig will remember the ritualistic part of his show when he addresses the crowd with a bit of church-revival banter over an instrumental break. His words are precisely crafted to elevate him over whatever flavor of the day is defining country music at the moment. “I’m Jack Ingram and I play country music,” he says. “It’s not that kind of country music. It’s this kind of country music. My name is Jack Ingram. And I play country music.” Of course, that insistence obscures a queasier reality: for much of his career, Ingram has allowed himself to fall into the trap of playing that kind of country music. In 2005 he signed to Big Machine Records, which is home to Taylor Swift and helmed by Scott Borchetta, widely regarded as Nashville’s most powerful record executive. With Big Machine, Ingram scored a Billboard number one country single, “Wherever You Are,” and won Top New Male Vocalist at the 2008 Academy of Country Music Awards. Mostly, though, the two studio albums he recorded for the label were dominated by slick, shiny swings-for-the-fences written by A-list Nashville songwriters. His growing reluctance to cut those kinds of tunes—and, he says, Borchetta’s indifference to the songs Ingram was writing himself—led him and the label to part ways in 2011. “Borchetta, bless his heart—and I love him for what he did for my career—is unwilling to fail,” Ingram says. “And it’s been tremendously successful for him, and was, for a little while, for me. But great music only happens when the artist is willing to lay it all out there and fall on his face.” NOTE: INTERNATIONAL MAIL IS BACK TO 1st CLASS INTERNATIONAL AND IS BASED ON LOCATION OF COUNTRY & WEIGHT OF THE ITEM, PLEASE NOTE I DO NOT SHIP TO ALL COUNTRIES, PLEASE CHECK THE SHIPPING INFO TO MAKE SURE I SHIP TO YOUR COUNTRY BEFORE BUYING/BIDDING. SINCE U.S. POSTAL RATES RECENTLY WENT UP I AM NOW OFFERING THE OPTION OF 1st CLASS OR MEDIA MAIL FOR THE U.S. & IT'S TERRITORIES, MEDIA MAIL GOES GROUND TRANSPORT SO WILL TAKE A LITTLE LONGER, BUT IT IS CHEAPER, ALSO IF YOU WANT PRIORITY, THAT IS AN OPTION TOO. PLEASE PAY FOR ALL ITEMS WITHIN 4 DAYS, OR MESSAGE ME TO EXPLAIN WHY YOU CAN’T,(IF YOU ARE BIDDING OR PLAN TO BID ON OTHER ITEMS) I WILL DO A ONE WEEK WAIT FROM THE DATE OF THE END OF THE FIRST AUCTION WIN, TO COMBINE SHIPPING ON ITEMS, AFTER THAT I NEED PAYMENT IN FULL AND WILL MAIL OUT THE ITEMS , EVEN IF YOU ARE BIDDING ON OTHERS, THUS BEGINS A NEW BILLING/SHIPPING CYCLE. THIS CASH FLOW IS MY SOURCE OF INCOME FOR PAYING RENT/BILLS, ETC. IF YOU HAVE WON AN ITEM AND I DO NOT HEAR FROM YOU ONE WAY OR THE OTHER WITHIN 7 DAYS I WILL OPEN AN “UNPAID ITEM CASE”, IN ORDER TO FREE UP THE ITEM FOR A POSSIBLE RE-LISTING OR A “SECOND CHANCE OFFER”. PLEASE WHEN YOU WIN AN ITEM TRY AND PAY FOR IT IN A TIMELY FASHION OR LET ME KNOW YOU ARE LOOKING AT OTHER ITEMS I HAVE LISTED, I MAIL ITEMS OUT WITHIN ONE WORKING DAY ONCE PAYMENT IS RECEIVED. NEW NOTE TO ALL POTENTIAL BIDDERS PLEASE! DO NOT BID IF YOU HAVE NO INTENTION OF PAYING FOR AN ITEM YOU MIGHT WIN, IF YOU NEGLECT TO PAY I WILL PUT YOU ON MY “BLOCKED BIDDER” LIST.

Price: 5.49 USD

Location: Los Angeles, California

End Time: 2024-05-03T23:03:43.000Z

Shipping Cost: 4.13 USD

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Item Specifics

Return shipping will be paid by: Buyer

All returns accepted: Returns Accepted

Item must be returned within: 30 Days

Refund will be given as: Money Back

Artist: JACK INGRAM

CD Grading: Near Mint (NM or M-)

Record Label: LUCKY DOG/SONY RECORDS NASHVILLE

Release Title: HEY YOU

Case Type: Cardboard Sleeve

Case Condition: Near Mint (NM or M-)

Inlay Condition: Near Mint (NM or M-)

Catalog Number: ACK 69850

Edition: First Edition, Limited Edition, Promo

Type: Album

Format: CD

Release Year: 1999

Language: English

Era: 1990s

Style: 1990s, Contemporary Country, Singer-Songwriter, TEXAS COUNTRY

Features: FROM THE MUSIC LIBRARY OF A NATIONAL RADIO NETWORK, HDCD, NOT SOLD TO THE GENERAL PUBLIC, THIS IS CURRENTLY OUT OF PRINT, THIS IS OPENED BUT UNPLAYED

Genre: Country

Run Time: SEE ITEM DESCRIPTION

Country/Region of Manufacture: United States

Unit Quantity: 1